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#16
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Re: Sad and Scary Yes Related Thought
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After the Ladder, they mounted a serious tour and played a lot of material on the new album. When you're not a radio band, you have to play new stuff live to get it exposed. Most people don't trust a new album by a classic band - there's always a disposition to say, "It can't be very good; they'll have to prove it to me before I spend my hard-earned." But after Magnification, the tour featured only three songs from it (Mag, Presence, Don't Go), two of which are the two weakest on the album (Mag and Don't Go). What did they do instead? They added orchestration to old songs. What they should have done is play the entire album start to finish, take an intermission, and then play a hour set of classics with or without the orchestra. Now THAT would have helped the album sell. See, when a band cuts a studio disc and then doesn't play it live, the message sent to the fans is, "we don't really believe in this music." If the band doesn't think it's a good album, why should I buy it? PS: another possibility for the Ladder's success is Bruce Fairburn. He pushed those boys the way a producer should and produced the last great Yes album, barring future greatness. As a side note, and probably having nothing to do with sales, you pointed out that Magnification was Jon's baby. In many ways, so was The Ladder. It was very verbose - lots of lyrics and little of the classic expansive instrumental sections included in all Yes classics, even as late as "The Calling," "Endless Dream" "Mind Drive," and "That, That Is." The only one on The Ladder is about a three and a half minute romp on "New Languages." Quote:
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